THE COAT OF ARMS, LINKED TO THE SONG OF SOLOMON ,PROVES SOUTH AFRICA TO BE THE HOUSE OF JUDAH.
“SET ME AS A SEAL UPON THY HEART, AS A SEAL UPON THY ARM
South African Coat of Arms
| As Britain and America prove their Israel Identity by their National Heraldry in symbols, which was pre-designed for them in the Word of God thousands of years ago and divinely linked to their National seals of today, thereby enabling them to prove that they are the descendants of the Ancient Ten Tribes of Israel, so The Great God of the white man also predestined the tribe of Judah, allowing them also to prove their Israel identity in South Africa. The South African National Seal with its symbols on the original South African Coat of Arms places the white South African nation alongside the other Great Israel Nations of the West and identifies them as THE ANCIENT TRIBE OF JUDAH. The Coat of Arms heraldry aligned with thesc scriptures gives Judah’s latter-day geographical location as South Africa. Since this latter-day discovery, the White South Africans can easily be identified as the Biblical tribe of Judah whose ultimate destination was skillfully guided by the Creator and their identity concealed for it only to be revealed long after their arrival on theAfrican continent. Thus in 1688 the tribe of Judah arrived in ships at their new location as promised by God, under the names of the European Huguenots and the 1820 British settlers. Together they grew into the self sufficient and independent nation of white South Africa. |
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The Holy Spirit inspired the National Seal of South Africa, the Coat of Arms. This amazing Emblem was so skillfully encrypted without the artist ever being aware of its monumental significance. This picture emblem was unwittingly designed especially to pinpoint the hidden location of Jesus Christ’s own tribe, The House Judah, in the latter days, declaring her history and her future up and to the time of His return. THE ENCRYPTION’S ON THE GREAT SEAL OF |
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THE SYMBOLS
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KING SOLOMON’S CENTRAL THEME: The Song of Solomon, describes the white South African people |
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THE BANNER OF THE ARMY IDENTIFIED. GODS PLAN FOR RESTORATION. MY BELOVED IS WHITE AND RUDDY THE CHIEFEST OF TEN THOUSAND. SAYS THE SONG OF SOLOMON. |
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| In the Song of Solomon a restoration plan for a terrible mistake that has been made by the majority of white South Africans is advised. The story that King Solomon relates is the story of the “THE WELL BELOVED” a story of the minority who did not disobey their God-given charge. They hold the white line. They are called “chosen” the “only one “ amongst all the South African people who have not lost sight of God’s Goals for His own Tribe of Judah. A band of people who offer their lives to defend Gods truth” EACH AFTER HIS OWN KIND.” But as is the way of Gods adversary, the evil one came and defamed these gallant warriors and worked at stopping the majority of whites from supporting this plan for The Nations recovery, making people believe strange new religious beliefs even doubting the existence of The Tri Une God and defaming the name of the Saviour Jesus Christ. Consequently the ”Beloved” few is smote and wounded by the watchmen of the city, they rob the extreme right-wing of their God-given status, leaving her despised and in the care of undeserving weak men. This Beloved in South Africa is described as an army with banners . This Army with its magnificent Banner which represents the South African Protestant Christianity, The only original flag belonging to South Africa, given birth by mother South Africa, It is a banner, a flag born out of the struggle to preserve the sovereignty of the white man in South Africa. This Banner of love over his chosen, is perfected by the Three Sevens representing, God the Father, God the Son, and God the Holy Spirit. This is the flag of the well beloveds army. ‘ I CHARGE YOU O DAUGHTERS OF JERUSALEM THAT YE STIR NOT UP NOR AWAKE MY LOVE UNTIL HE PLEASE’ that Statement is a promise of a fearful awakening of this Army by Go, who is very protective of His true Beloved, the extreme right-wing people of South Africa. The Companions in the Song of Solomon ask a question. “What is thybeloved more than the other beloved? THE DIVINE ANSWER.. |
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MY BELOVED IS WHITE AND RUDDY, THE CHIEFEST AMONG TEN THOUSAND. HIS ARMY RESPONDS I AM MY BELOVED’S AND HIS DESIRE IS TOWARDS ME. THE CALL. In the Song of Solomon God’s army calls to their white brothers to come and suck the breasts of their mother South Africa.“You will be welcomed with a kiss and not be despised under God’s banner” assures King Solomon. The King Jesus Christ’s left hand would then be under your head and His right hand would embrace you. THIS INCREDIBLE STORY IN PICTOGRAPH ON THE THE GREAT SEAL OF SOUTH AFRICAN COAT OF ARMS. |
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Coat of arms of the Cape Colony
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The coat of arms of the Cape Colony was the official heraldic symbol of the Cape Colony as a British colony from 1875 to 1910, and as a province of South Africa from 1910 to 1994. It is now obsolete. The adoption of the arms was a belated response to a British government request, in 1869, for a design for a flag badge to identify the colony. The laying of the foundation stone of the new parliament building in May 1875 was considered as a good opportunity to introduce it. A Cape Town attorney with a keen interest in heraldry, Charles Aken Fairbridge (1824-1893), was accordingly asked to design arms for the Colony. The foundation stone of the colonial parliament was laid on 12 May 1875. According to the Cape Argus newspaper, "among the conspicuous features of the spectacle was the new colonial flag, hoisted aloft above the corner stone, with the heraldic shielding, surroundings and mottoes blazoned on the Union Jack and the Royal Standard floating in the breeze from the loftiest flagstaff in the centre". Queen Victoria formally granted the arms by Royal Warrant a year later, on 29 May 1876. After the Cape became a province of the Union of South Africa in 1910, the provincial administration took over the arms. They were used as provincial arms until the Cape was divided into three smaller provinces in 1994. The original blazon was:
The symbolism of the arms is obvious. The lion is a South African animal, and also appears in the arms of the two colonial powers which ruled at the Cape, Netherlands and Great Britain. The rings were taken from the arms of the founder of the colony, Jan van Riebeeck. The fleur-de-lis represent the contribution of the Huguenots to the early history of the country. The crest is the Lady of Good Hope, grasping an anchor, first introduced as a symbol of the colony in 1715.The supporters, a gnu (wildebeest) and an oryx (gemsbok), are two typical South African animals. The motto, "Spes Bona" simply means “Good Hope”. New artwork was introduced in 1952. Hope's dress was changed to white, and she was given a blue mantle. The arms were recorded in this form at the College of Arms in July 1955, and registered at the Bureau of Heraldry in 1967. |
| The Free State
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The coat of arms of the Orange Free State was the official heraldic symbol of the Orange Free State as a republic from 1857 to 1902, and later, from 1937 to 1994, as a province of South Africa. It is now obsolete.The Orange Free State was established as a republic in 1854. It needed official symbols, and its first state president, Josias Hoffman decided to have them professionally designed in the Netherlands. At his request, King Willem III of the Netherlands had a flag and coat of arms designed by the Hoge Raad van Adel during 1855, and sent them out to South Africa. As the Orange Free State was named after the Orange River which, in turn, had been named after the Dutch royal family, the arms depicted a wavy orange fess (stripe) representing the river, and three bugle horns, which are the badge of the House of Orange.
By the time the designs reached Bloemfontein, in January 1856, Hoffman had resigned and been succeeded by Jacobus Boshof. Apparently unaware that state symbols were being designed in the Netherlands, Boshof had had a Great Seal designed and manufactured, and approved by the Volksraad (legislature). The seal depicted a tree of liberty, sheep, a lion, and an ox-wagon. When Boshof placed the flag and coat of arms designs before the Volksraad on 28 February 1856, the legislators decided that,The design of the flag sent by the King of the Netherlands shall be adopted, and to the coat of arms sent by the above shall be added the already existing arms in the Great Seal of the State, with omission of the orange stripe. The coats of arms, as actually adopted, then displayed the design of the Great Seal between the three bugle horns. This hybrid design was officially introduced on the republic's third anniversary, 23 February 1857, and was used until the republic ceased to exist on 31 May 1902. As the Orange River Colony (1902-10), the territory had a different coat of arms, granted by King Edward VII of the United Kingdom. When the colony became a province of the Union of South Africa in 1910, the provincial administration took over the Orange River Colony arms, which it used until 1925. In 1937, after a twelve-year period without official arms, the provincial administration adopted the old republican arms, and they were used as the provincial arms until the Orange Free State was reconstituted as the Free State Province in 1994. |
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Coat of arms of the Transvaal |
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The coat of arms of the Transvaal was the official heraldic symbol of the South African Republic from 1866 to 1877 and again from 1881 to 1902, and later the symbol of the Transvaal Province from 1954 to 1994. It is now obsolete. The South African Republic was established in 1857. On 18 February 1858, the Volksraad (legislature) resolved that the new state should have the following coat of arms:
The earliest known appearance of the arms was on banknotes issued in 1866. The crudely drawn arms were depicted as a shield with a lion, an anchor, and a man in the upper half, an ox-wagon in the lower half, and the motto 'Eendragt maakt magt' on a riband across the top. This rendition also appeared on the Staatscourant (government gazette) from 1867. A better version, in which the shield was divided into sections, an eagle was perched on top, and three flags were draped down each side, first appeared on the postage stamps in 1869, and this became the preferred rendition. From 1871, this too appeared on the banknotes,and from 1872 it was on the masthead of the Staatscourant. |
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The arms were in abeyance during the British occupation of the Transvaal, from 1877 to 1881. Revived in 1881, they became obsolete again when the republic ceased to exist in 1902. In 1950, the Transvaal provincial administration decided to adopt the old arms as provincial arms and commissioned chief archivist Dr Coenraad Beyers to investigate and report on the most suitable version.The arms were apparently introduced in 1954,and they were used until the province ceased to exist in 1994.
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Coat of arms of Natal
The coat of arms of Natal was the official heraldic symbol of Natal as a British colony from 1907 to 1910, and as a province of South Africa from 1910 to 1994. It is now obsolete.  |
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The seal (illustrated right) depicted the British royal coat of arms in the upper half; in the lower half was an ornamental frame enclosing a scene of two wildebeest (gnu) galloping across a plain. The wildebeest became the popular symbol of Natal, and when the government decided in 1905 to obtain an official coat of arms, the wildebeest were the obvious choice for the design. The arms, designed by G. Ambrose Lee, the York Herald at the College of Arms, were granted by King Edward VII by Royal Warrant on 16 May 1907. After Natal became a province of the Union of South Africa in 1910, the provincial administration took over the arms. They were used as provincial arms until Natal was reconstituted as KwaZulu-Natal in 1994 In their original form, as used by the colonial government, the arms consisted only of a shield, blazoned as follows:
The provincial administration embellished the arms by placing an imperial crown (so-called 'Tudor crown') above the shield, and a riband inscribed 'Natal' below it. The arms were recorded in this form at the College of Arms in July 1955, and registered at the Bureau of Heraldry in January 1969. As the 'Tudor crown' was no longer the official heraldic version of the crown in 1955, and Natal did not want to change to the new St Edward's crown, the 'Tudor crown' above the arms was modified to make it unique to Natal. The fleurs de lis of the 'Tudor crown' were replaced by crosses, but in general appearance the crown looked the same. |
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Coat of arms of the Orange River Colony
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The coat of arms of the Orange River Colony was the official heraldic symbol of the Orange River Colony as a British colony from 1904 to 1910, and then of the Orange Free State province of South Africa from 1910 to 1925. It is now obsolete. The Orange Free State republic became a British colony at the end of the Anglo-Boer War in May 1902. The republic's official arms were discontinued, and on 10 December 1904, by Royal Warrant, King Edward VII granted a new coat of arms to the colony. The springbok was chosen as the principal charge in the arms. The official blazon is:
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 Gauteng Province (1996) |
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| South African heraldry reaches back for more than 350 years, inheriting European (especially Dutch and British) heraldic traditions. Arms are borne by individuals, official bodies, local authorities, military units, and by a wide variety of organisations. South Africa has had its own heraldic authority since 1963, to provide armigers with legal protection, and to promote high standards of armorial practice. | |
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Cape Town (1899) South Africa (1910) Origins and historyThe first known armorial display in South Africa took the form of stone beacons bearing the Portuguese royal arms, which were erected along the coast by navigators who explored the sea route in the 1480s.Some of these beacons still survive. 17th-18th centuries |
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Heraldry was introduced into the region by the Dutch, when they founded the first European colony, at the Cape of Good Hope, in 1652.Under Dutch law, everyone has the right to assume and bear arms, and many settlers bore personal arms, some of which are still borne by their descendants today, The official arms of the Netherlands, and those of the Verenigde Oost Indische Compagnie, which ran the colony, were also used.There do not appear to have been any other corporate arms during the Dutch colonial period, but there is evidence of some use of military unit arms in the 1780s.Civic arms were introduced in 1804. |
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| 19th century
British military forces occupied the colony during the Napoleonic Wars, and the Netherlands handed it over permanently to Great Britain in 1814. This brought the colony within the jurisdiction of the English College of Arms, the Scottish Lord Lyon and the Irish Ulster Office. British law regards arms as an honour which must be granted or recognised by one or other of these authoritie, but as Roman-Dutch law was retained in the colony, it remained legal to simply assume arms at will. Those who wanted formal grants of arms could apply to one of the three British authorities. As with language, music, and other cultural aspects, then, British and Cape Dutch (Afrikaner) heraldry existed separately side by side. This is still the case, though there has been some cross-pollination during the past half-century. European settlement spread to other parts of the region in the 1830s, as a result of Afrikaner dissatisfaction with British rule. Eventually, the region crystallised into four White-ruled territories: two British colonies and two Afrikaner republics. Their governments adopted official arms. |
 Britain conquered the two Afrikaner republics in the Anglo-Boer War (1899-1902), and the four territories united in 1910 to form the Union of South Africa. As self-government developed during the first half of the 20th century, some official attention began to be paid to heraldry. In 1935, the Union government introduced a system of voluntary registration of "badges" by the Department of the Interior. It applied only to associations and institutions, such as schools and clubs, and several dozen of the more than 1300 items registered over the years were coats of arms.The Department of Education, Arts & Sciences took over as registrar in 1959. The rise of Afrikaner nationalism during the 1930s and 1940s drew heavily on culture and tradition, and several books and articles on Afrikaner family history and heraldry were published during that period. Unfortunately, as later research showed, the heraldic sources were generally not very reliable. |
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| After an Afrikaner nationalist government took office in 1948, with a republic high on its agenda, steps were taken to bring order to the armorial chaos. Between 1949 and 1953, the four provincial administrations introduced systems of registering civic arms to protect them against usurpation. The defence force established its own heraldry office in 1954. In 1955, an inter-departmental conference recommended the formation of an official heraldic authority, and a committee appointed in 1956 recommended adopting the Swedish model, of a nominated council and an executive bureau, under the auspices of the state archives service. The 1950s also saw an unprecedented number of English and Scottish grants of arms, to municipalities, corporate bodies, the Anglican dioceses, and a few individuals. With a republic in the offing, there may have been a feeling that it was "now or never". South Africa became a republic and left the Commonwealth in 1961. A Heraldry Act was passed in 1962,and the Bureau of Heraldry and Heraldry Council were established in 1963. From 1963 to 1969, the Heraldry Act also provided for arms to be granted by the state president to official bodies and by the provincial administrators to local authorities. Grants were subject to Heraldry Council approval and were registered by the Bureau.The Act has never authorised the Bureau to grant arms, only to register them. |
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| Since 1963, the Bureau has introduced many innovations, including lines of partition, charges drawn from South African fauna and flora and the African heritage and, in the early 1970s, a highly stylised, Finnish-influenced, artistic style. | |
| Usage of arms
Roman-Dutch law allows everyone to assume and bear arms, as long as no one else's rights are infringed in the process.Social status, or service to the country, are not requirements as they are in some other countries. There is therefore a wide range of armigers,including:
Regulation
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